Doors 7PM | Show 8PM | GA Standing | 21 & Over – ID REQUIRED | Public On Sale – 9/28

How do you make something solid, beautiful, and built to last in a time of cultural chaos and personal doubt? With Mystic Familiar, Dan Deacon gives us the stunning result of years of obsessive work, play, and self-discovery. It’s at once his most emotionally open record and his most transcendent, 11 kaleidoscopic tracks of majestic synth-pop that exponentially expand his sound with unfettered imagination and newfound vulnerability.

Since 2015’s Gliss Riffer, Deacon has branched out from his core body of work as a popular recording artist into a dizzying array of collaborative projects: scoring eight films, including the feature documentaries Rat Film and Time Trial (both released as LPs on Domino Soundtracks) and HBO’s Well Groomed; collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album by another artist, Ed Schrader’s Music Beat’s alt-rock dynamo Riddles.

But as varied and fulfilling as these projects were, they all lacked one thing: Deacon’s voice. And in the midst of that whirlwind of activity, he returned whenever he could to a personal oasis — the songs that would become Mystic Familiar, informed by all these collaborations but built from within. Propelled by the unprecedented response to Gliss Riffer highlight “When I Was Done Dying” and the exquisite-corpse animated video that vividly amplified that song’s narrative odyssey of multiverse-traveling post-life energy, Deacon’s writing took an exploratory new direction. He further developed this new material with daily prompts from Brian Eno’s deck of Oblique Strategies and the use of meditation to access that inner well of creativity David Lynch describes in Catching the Big Fish. These techniques, in tandem with his newly adopted therapeutic practices of self-compassion and mindfulness, produced Dan Deacon songs that go places far beyond those his music has traveled before — songs that wield the profundity of a philosopher and the absurdity of a court jester as they paint life as a psychedelic journey brimming with bliss and disruption, darkness and light.

Mystic Familiar’s opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon — a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. As other ornate voices answer this unadorned I, we’re introduced to the album’s central concept and titular character: the Mystic Familiar, that supernatural other being that we carry with us everywhere in our head, which only we can hear and with whom we live our lives in eternal conversation. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins.

From there, Mystic Familiar takes a propulsive leap with the robotic drums and soaring melodies of “Sat By a Tree,” lyrically conjuring both a campfire gathering of friends reflecting on key memories with the hard-won clarity of time (“It may only last a moment, but a moment can last a lifetime in your mind”) and a dialogue with an anthropomorphic tree that asks “What would you cast into existence if you contained the persistence to unwind?” Deacon’s personal, freeing answer comes by the song’s end, in the cathartic acts of declaring a creative work finished and sharing it with others — even while knowing “It is out of my control what this world wants there to be told of me in time.”

The four-part “Arp” suite offers a dialectic view of life and aging. Opening chapters “Arp I: Wide Eyed” and “Arp II: Float Away” envelope us in the joyful life-embrace of invincible youth — a bliss suddenly punctured by the abrupt Pharoah Sanders-esque saxophone squall of Andrew Bernstein in “Arp III: Far From Shore,” which hits the ears like a car crashing into a brick wall. Gradually, the song reconstitutes itself and swells again; the lyrics of the first movements repeat, but their tone has changed. This is life disrupted by unexpected tragedies and traumas, causing damage and self-doubt but also renewal and growth. “Arp IV: Any Moment” brings us face to face with death — an end point perhaps different than any we ever imagined, but one that we nonetheless not only try to accept, but even embrace. These themes are revisited in standout track “Fell Into the Ocean,” in which the water cycle consumes the body and reconstitutes it, post-life transforming into pre-life once again — a process our Mystic Familiar eases us into with mantra-like refrains of “you must relax before transcend.”

More than just a complete, polished, and satisfying record in an era of sound bites and disposability, Mystic Familiar is Dan Deacon’s first record in which each song was built around one thematic throughline, a meticulously realized landmark in a discography already marked by rich imagination and layered perfectionism. Mystic Familiar captures an established artist mindfully evolving his music from its playful beginnings to encompass a prismatic cosmos of quantum dimensionality. It’s as addictive to listen to as it was for Deacon to work on — a Mystic Familiar transmitted directly from Deacon’s mind to ours, a conversion of self-doubt into an enduring creative work which we can now carry with us in our ears wherever life takes us.

______ To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

Doors 7:30PM | Show 8PM | GA Standing | 21 & Over | Public On Sale – 7/25

ABOUT INSOUND

LISTEN

Insound is a local power trio comprised of singer/guitarist Justin Martinez, Drummer Devin Davis and Bassist Ryan Zamora.  Insound is a progressive Rock Band that has become a local force having played 191 Toole 4 times previously, Dusk Music Festival and Hotel Congress over the past few years.  Insound is known for great live performances and put on a high energy show that is interactive with the crowd.   Key influences include bands such as Led Zeppelin, Radio Head, Janes Addiction, Smashing Pumpkins, Tool and U2.   Check out their new Self-Titled Album “Insound” on any digital streaming source.  The album has 8 original compositions with the first song “Love Nail”.  This will be the last live performance for Insound in 2022 as they take a break to work on new material.

ABOUT FLOW_

LISTEN

DJ, and electronic music enthusiast, FLOW_ was born and raised in Tucson, AZ. After spending years in the San Francisco House Scene FLOW_ aims to bring some of that energy and vibe to his home. Aided by decades of first hand house music experience by legends FLOW_ prides himself on his ear and music selection. For him, it’s all about mood so he maintains an insatiable thirst for music that will provide the dance floor with an experience they’ll never forget.  Don’t be surprised when you suddenly find yourself dancing…expect it.

______

To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

Doors 7PM | Show 8PM | All Ages | Public On Sale 7/14 9AM

ABOUT THE ARTIST

FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Jessy Lanza is a musician, producer and DJ from Hamilton, Canada who currently lives in Los Angeles. She has released three studio albums; Pull My Hair Back, Oh No and All the Time on London’s legendary Hyperdub label. Her fourth album, Love Hallucination, is set for release on July 28th 2023. With her music Jessy has crafted a new and vibrant pop aesthetic that is both universal and energetic, yet personal and introspective. As Lanza laces deeply sensual vocals over a dynamic tapestry of uptempo production styles, all frequencies are welcomed and cherished. In 2021 Jessy also contributed to the esteemed DJ Kicks mix series on !K7 Records. Her releases have been met with near universal praise and featured in The Guardian, New York Times, Pitchfork and more.

______

To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 6/23 10AM

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Much like color, sound consists of different shades, hues, and textures. Individuality results from the confluence of those elements. In broad and delicate strokes alike, KennyHoopla splashes sound onto tape akin to paint on a canvas. With no style off-limits, the Ohio-born and Wisconsin-based singer, songwriter, producer, and musician merges alternative, hip-hop, rock, indie, and pop in a melodic undertow. Amassing over 100 million streams and inciting the applause of Rolling Stone, The FADER, Forbes, HYPEBEAST, and more, he shapes an often vibrant, sometimes visceral, and always vital sound with each creative move he makes in 2023 and beyond.

“I’d call the sound, ‘Technicolor’,” he observes. “When you love something, you have a feeling of color in your heart. There’s texture as opposed to when you feel empty and it’s gray. We’re making this color. The music is a canvas for my life to be painted.”

Born in Cleveland, OH, Kenny lived with his mom, two siblings, and older cousin. His mother tirelessly worked in a factory, a hotel, and even at now-Progressive Field—home of the Cleveland Guardians. While in kindergarten, his teacher turned on the radio during naptime, and Enya’s “Only Time” piped through the speaker. At this young age, he immediately fell under music’s spell. “I thought it was so beautiful,” he affirms. “I was obsessed with music, because it was super cathartic, heavenly, dark, and ethereal.”

When mom left for work, he listened to burned CDs constantly alone in his room, embracing everything from pop, hip-hop, and rock to jungle and deep house. He studied formative influences such as Phoenix, Fall Out Boy, Aphex Twin, Two Door Cinema Club, and more. He also casually wrote songs of his own to tunes on the radio. Upon graduating high school, he left home and moved to Madison, WI. During this time, he uploaded his first proper cut “I Don’t Want No Problems” and found an early champion in Lyrical Lemonade.

Quitting his day job and opting to “be poor and happy making art,” he caught fire with “lost cause//” [feat. Jesse] in 2019, landing a deal with Mogul Vision Music/Arista Records. A year later, he served up the how will i rest in peace if i’m buried by a highway?// EP. Driven by KennyHoopla’s guitar, the title track “how will i rest in peace if i’m buried by a highway?//” gathered over 30.8 million Spotify streams. 2021 saw him join forces with the legendary Travis Barker for SURVIVORS GUILT: THE MIXTAPE// powered by the likes of “hollywood sucks//” and “estella//,” which reeled in north of 34.5 million Spotify streams. NME scored it “4-out-of-5” stars and asserted KennyHoopla’s “growing arsenal of anthems-in-waiting more than justifies his ascendance to the big leagues.” Between headlining tours in the UK, EU & USA, Rolling Stone championed him as an “Artist You Need To Know” and Forbes went as far as to crown him, “One of the most exciting new rock artists in years.” Reteaming with Barker as producer, he kicked off 2022 with “DIRTY WHITE VANS//” and its accompanying remix featuring Wiz Khalifa. Monster also tapped him to headline the Monster Energy Outbreak Tour.

In the midst of this rapid rise, he continued to peel back the layers of his sonic identity.

“I’m always trying to become a better songwriter,” he notes. “Living life and watching people inspires me. I’m trying to make sense of things. I’m constantly trying to break the layers of myself. That’s what my next body of work will be about. I’m truly saying what I stand for.”

He ignites the next chapter with the single “YOU NEEDED A HIT//.” On the track, a head-nodding bass line bobs and weaves through a hummable lead guitar. Meanwhile, his vocals ebb and flow with manic exuberance.

“I want to be a voice of my generation,” he leaves off. “I want to put a stamp in time. I want to be someone you can look to. I want to keep chipping away to find the diamond inside all of us. I’ve always wanted to die a legend. I just want to make really beautiful and awesome songs and push the boundaries. I’m trying to constantly grow and make music for everyone.”

Doors 8PM | Show 9PM | 18 & Over | Public On Sale 6/20

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT THE ARTIST

 FACEBOOK  | INSTAGRAM | TIKTOK 

Calling all Tucson cowboys and cowgirls

Welcome to THE RODEO RAVE . A dance party spinning all the hits and deep cuts from your fav country artists.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 2/13 10AM

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

Insound 8-10pm 

DJ Flow 10-midnight

ABOUT INSOUND

LISTEN

Insound is a local power trio comprised of singer/guitarist Justin Martinez, Drummer Devin Davis and Bassist Ryan Zamora.  All members are born and raised in Tucson and have been a part of the local music scene through various other bands over the past 20 years.  Insound’s music is best describe as incredibly original progressive rock.   Insound has been described as  “Stunning in its expansive and droning extended instrumental breaks; also stating that “Martinez’s unaccompanied guitar playing evoked a space as big as the desert that inspired it”.  Justin uses numerous different tuning’s on the guitar to draw out sounds that are unique and decorative inspired by artist such Jimmy Page of Led Zeppelin.  Devin Davis attacks the drums like no other drummer and is a powerful creative force in the music.    Zamora plays a 5 string bass and is the glue that binds the music with his innovative style and dynamic bass lines.   The band uses heavy lyrics and dynamic vocals to deliver the songs.  Key influences include bands such as Led Zeppelin, Radio Head, Janes Addiction, Smashing Pumpkins, Tool and U2.     You may have seen Insound at DUSK music Festival or the Pima County Fair.  Insound brings a ton of energy to the stage and is a show you don’t want to miss. Check our their Album Titled “Take Away” on any digital streaming source.

ABOUT FLOW_

LISTEN

DJ, and electronic music enthusiast, FLOW_ was born and raised in Tucson, AZ. After spending years in the San Francisco House Scene FLOW_ aims to bring some of that energy and vibe to his home. Aided by decades of first hand house music experience by legends FLOW_ prides himself on his ear and music selection. For him, it’s all about mood so he maintains an insatiable thirst for music that will provide the dance floor with an experience they’ll never forget.  Don’t be surprised when you suddenly find yourself dancing…expect it.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 1/13 10AM

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

DJ Dan is synonymous with house music. Those who have followed this musical innovator’s wide ranging career have seen him evolve from playing small clubs in Seattle and Los Angeles to playing worldwide in some of the worlds most illustrious venues.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 11/18 10AM

Flow_ 10:30-12

Swigfoot 10:00-10:30

Insound 8:00-9:45

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT INSOUND

LISTEN

Insound is a local power trio comprised of singer/guitarist Justin Martinez, Drummer Devin Davis and Bassist Ryan Zamora.  All members are born and raised in Tucson and have been a part of the local music scene through various other bands over the past 20 years.  Insound’s music is best describe as incredibly original progressive rock.   Insound has been described as  “Stunning in its expansive and droning extended instrumental breaks; also stating that “Martinez’s unaccompanied guitar playing evoked a space as big as the desert that inspired it”.  Justin uses numerous different tuning’s on the guitar to draw out sounds that are unique and decorative inspired by artist such Jimmy Page of Led Zeppelin.  Devin Davis attacks the drums like no other drummer and is a powerful creative force in the music.    Zamora plays a 5 string bass and is the glue that binds the music with his innovative style and dynamic bass lines.   The band uses heavy lyrics and dynamic vocals to deliver the songs.  Key influences include bands such as Led Zeppelin, Radio Head, Janes Addiction, Smashing Pumpkins, Tool and U2.     You may have seen Insound at DUSK music Festival or the Pima County Fair.  Insound brings a ton of energy to the stage and is a show you don’t want to miss. Check our their Album Titled “Take Away” on any digital streaming source.

ABOUT FLOW_

LISTEN

DJ, and electronic music enthusiast, FLOW_ was born and raised in Tucson, AZ. After spending years in the San Francisco House Scene FLOW_ aims to bring some of that energy and vibe to his home. Aided by decades of first hand house music experience by legends FLOW_ prides himself on his ear and music selection. For him, it’s all about mood so he maintains an insatiable thirst for music that will provide the dance floor with an experience they’ll never forget.  Don’t be surprised when you suddenly find yourself dancing…expect it.

______

To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

______

A SONIC EXPLORATION OF 2000S ICONS MIXED WITH HARD DANCE TECHNO – AN ERA REMIXED + REIMAGINED BY @ZPHEEN

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Born and raised in England, the heart of where dubstep music originated, DirtySnatcha produces a variety of heavy original tracks. Working a 9 to 5 office job, he decided to try something new and fun so he started producing his music in 2014, which quickly gained fans to his unique sound design.

​

Slowly but steadily, DirtySnatcha kept releasing original songs that caught the attention of more and more fans and other artists. His biggest fans are based out of Chicago, Illinois, and Denver, Colorado but you will find DirtySnatcha fans all over the USA and many other countries as well. His first-ever US tour, Snatched Tour, started in November 2019 with twenty-two different venues booked. His first show of the tour was Nightfall Music Festival in Denton, Texas. He then proceeded to play at a variety of venues across the US such as Elektricity in Michigan, Club Vinyl in Colorado, Slowdown in Nebraska, The Circle OC in California, and others before the tour was cut short due to the 2020 pandemic.

​

Since starting his career, he has collaborated with big artists such as Riot Ten, Rico Act, Lucii, Boogie T, Monxx, Squnto, and plenty more. This has proven that he can work together with others and produce a variety of music that can appeal to fans of all ages and areas of the world. He has had his tracks released on some of the industries’ biggest record labels such as Wakaan and DSV Audio in 2019, and Subsidia Records, DSV Audio, and Dim Mak Records in 2020. All these accomplishments have been recognized by multiple press platforms such as The Nocturnal Times, Heard it Here First, By The Wavs, and more.

​

Along with his growing career as a music producer, DirtySnatcha also runs a record label, DirtySnatcha Records, that he started in 2015. He has released music for Subtronics, He$h, Monxx, Squnto, and more. He is dedicated to helping artists further their careers by releasing their original music on his page, which has a following of forty-eight thousand people, with hopes to see that they all succeed in the music industry. He continues to run this record label in 2020, which has helped many other artists gain the attention that is deserved.

​

This dedicated music producer has shown that hard work can help you achieve anything you set your mind to. Despite the hardships of the year 2020, he continues to persevere and work hard on making new music and showing that he is determined to continue his career, determined to become one of the best in the industry.