Doors 7PM | Show 8PM | All Ages | Public On Sale 6/1

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 5/23 10AM

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Revered for use of reverb-laden guitar work, creative synth structures, and dynamic vocals akin to the style of many shades of 80’s and early 90’s pop-darkness. Hailing from Sacramento, California. The lineup includes – Ean Clevenger (vox/programming), Barry Crider (guitarist), David Wright (synth/drums) , & Kyle Vorst (bassist). In late 2017, Creux Lies completed their first full-length album via Cleopatra, “The Hearth”, recorded at the creative fantasy-land known as Earthtone Studios (Tera Melos, So Stressed!, King Woman) in their home city under the creative care of producer/engineer extraordinaire Patrick Hills. The last years included seminal performances for Creux Lies, with appearances at WGT, Absolution Fest, Murder of Crows NY, and several other shared stages and tours with a roster of notable acts such as AFI, The Soft Moon, Clan of Xymox, Drab Majesty, Soft Kill, Gene Loves Jezebel, Actors, Vowws, Twin Tribes, and others. Creux Lies is poised for 2021 with the release of their second full-length via the international Freakwave label. Headlining performance antics will ensue promptly. Catch them soon on tour throughout the reaches of the planet.

Doors 7PM | Show 8PM | All Ages | Public On Sale 3/17 10AM

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

50 years after the genre turned the music world upside-down, Grade 2 bring the raw power of old school punk to a new generation. Their second release on Tim Armstrong’s legendary Hellcat Records is a thumping 15 track tour de force melding the uncompromising ethos of punk with the howl of contemporary injustice, personal identity and frustrations of Gen-Z youth, authentically told by three lads with punk coursing through their veins.

Formed on their native Isle of Wight when they were just 14 years old, Jack Chatfield (guitar & vocals), Jacob Hull (drums) and Sid Ryan (bass & vocals) honed their craft covering punk pioneers before creating a sound uniquely theirs: ten years on, the eponymous ‘Grade 2’ is their magnus opus. From the complex rhythms and brutal two-note guitar of opening track ‘Judgement Day’, the record grabs by the scruff of the neck and never lets up. With a commitment to the cause, lead single ‘Doing Time’ is a thunderous hardcore punk track screaming “Spoon feed me corporate lies; I left that place with a noose to my neck.” Intertwined are upbeat bangers (‘Under the Streetlight’, ‘Celine’), classic pop-punk (‘Don’t Stand Alone’, ‘Fast Pace’), and savage old-school grit (‘Parasite’, ‘Gaslight’). The result is a bone-crunching 35-minutes that agitates, intoxicates and liberates in equal measure.

“Like everyone else, 2020 left us proper fucked off,” says frontman Sid Ryan. “Yet we were able to channel every ounce of that despair into every second of this record.”

“Returning to Ship Rec Studio resparked that magic dynamic” says guitarist Jack Chatfield. “When we’re in there I feel like we reach our full potential. Tim would offer tweaks and tips for some songs, while others he’d compliment as finished first time we played them.”

“We worked flat-out recording this record,” says drummer Jacob Hull, “but we never felt pressured, Tim keeping us in the zone to make the best tunes of our lives.”

Famed for blistering live performances and exceptional musicianship, the band have consolidated the essence of their live show in ‘Grade 2’. Tune in and turn up. Here’s a record to rattle your bones, stir your heart and have you singing till you’re hoarse like it’s the first day of punk.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 3/15 10AM

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Dark melodic sounds, synthesizers, lyrics about the undead, the occult and parallel universes.

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 3/8 10AM

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

UltraBomb, the eagerly anticipated international supergroup, have now arrived bringing together three iconic musicians from the cream of punk rock. On bass is the legend that is Greg Norton, once the driving force behind one of the most influential bands to emerge from the American punk scene, Hüsker Dü. Next up is the indefatigable singer-guitarist Finny McConnell, a name you’ll recognise from thirty years as the frontman of the Canadian Irish folk-punk sensation The Mahones. Completing the trio is the drumming powerhouse Jamie Oliver, having served well over fifteen years in the seminal British punk band UK Subs, as well as shorter stints with the likes of SNFU among others. 
 UltraBomb formed in July 2021, and just two months later they travelled from their respective homes in the US, Canada and the UK to record their killer debut album ‘Time To Burn’ in Berlin, Germany. With a DIY ethic and a love of classic punk, the band wrote and recorded the ten-track LP in just four days. 
 UltraBomb’s debut single ‘Stickman Vs. Hangman’ dropped in February 2022 to a crescendo of critical acclaim, and is set to be followed by the full length album ‘Time To Burn’ in the summer. Pre-sale with limited edition colour vinyl is available now from the website at ultrabombmusic.com

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 12/2 10AM

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | LISTEN

Since their inception in 2012, the Spurs have kept a relentless schedule of recording, playing locally, and touring. After nearly 500 live appearances in almost a dozen countries, and with a slew of albums and singles to their name, Jenny Don’t and The Spurs are just getting warmed up.

The Spurs were founded one cold, winter’s evening by Jenny and Kelly. Jenny had been fronting her own band, DON’T, for some time, as well as playing the occasional solo acoustic set here and there. Kelly, who had been in a slew of Portland punk bands since the 80’s, and who had spent the previous several years balancing a grueling touring schedule playing drums with the garage rock trio PIERCED ARROWS and bass with Portland punk-rock destroyers P.R.O.B.L.E.M.S., and wanted to switch gears a bit. After the concept of forming a raw, real, and back-to-the-roots country band had taken hold, it wasn’t long before the couple was rehearsing a seminal set of standards by such influential early country crooners and outlaws like Patsy Cline, Loretta Lynn, Ernest Tubb, and Hank Sr., as well as a sprinkling of originals. It was only a few weeks later that Kelly’s bandmates Fred and Toody Cole got wind of the developing musical project that was taking form in Jenny and Kelly’s kitchen and decided to call their bluff by giving them an unsolicited support slot on an upcoming show featuring the Cole’s own solo two-piece act. Not having anticipated such a high-profile live appearance as a first live outing, and feeling like the guitar-and-bass-only lineup that the band had started life as was lacking something on the rhythm end of things, they decided to ask their friend Sam Henry to join them on drums. Sam, who in addition to being Jenny’s bandmate in DON’T and sometimes solo-set-collaborator, had already had a long, well-respected career as one of Portland’s best drummers, having played with such first-generation punk bands as the Wipers, The Rats and Napalm Beach. After a couple of weeks of practice, the debut live appearance of the band went off without a hitch and the core lineup of Jenny Don’t and The Spurs was born. The trio of Jenny, Kelly, and Sam existed in this form for the first year-an-a-half or so of the band’s existence, playing whatever local venue would take them – bars, clubs, porches, basements, backyards, and even a bookstore. This worked well for a while, and occasionally the Spurs would enlist talent from a pool of several friends to sit in on lead guitar or lap steel. The addition of a second guitar rounded out the sound of the band to the point where Jenny and Co. decided to make it a permanent part of the band’s lineup. After a couple of false starts and a bit of difficulty finding a fourth member who could commit to the Spur’s sometimes grueling touring schedule, the incredible Christopher March became a member of the family in early 2017. Christopher brought with him a wealth of talent and live gig experience, having spent years playing on the Northwest Country, Rockabilly, and Honky-Tonk circuit.

This lineup – Jenny, Kelly, Christopher, and Sam – formed the core of the group for several great years, solidifying the band’s sound and enabling them to tour extensively until January of 2022.  It was at this point, while on their winter West coast tour in California, that Sam began experiencing abdominal pains.  His discomfort increased to the point where the band had to cancel the last date of the tour in order to get Sam to the hospital, where he was diagnosed with late-stage cancer.  This was devastating news for Sam, the band, and all of the people around the world that loved him, and when, only weeks later, Sam passed away after a brief battle with the disease, everyone was stunned. As saddened and lost as the remaining members of the band were, there was really no question as to whether the band would continue.  Sam was truly dedicated to his art until the very end, and there was no way that he would have wanted the band to dissolve.  He had dedicated his life to his music and the last ten years of his life to Jenny Don’t and The Spurs, and the surviving members of the band decided without reservation to keep Sam’s legacy alive by continuing to play.  The search for a new drummer turned up a lot of candidates, but it was veteran Portland musician Dean Miles who made the cut.  We’re happy to have him as the newest family member, and we know that Sam would be proud to know that a guy as cool as Dean is sitting behind the kit.
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Now, with a revamped lineup, as well as a decade of live appearances under their tooled-leather Western belts, the Spurs aren’t slowing down a bit. The Spurs are a musical force to be reckoned with, and the intensity and energy of their live set is a must-see for anyone who enjoys spirited garage-infused country music played with sincerity and raw conviction.

Doors 6:30PM | Show 7PM | 21 & Over | Public On Sale 11/16 1PM

!!FEATURING!!

 The Besmirchers, Freezing Hands, Napalm Strike, Standard Deviance, and The Allstar Mormons

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | INSTAGRAM | TWITTER | LISTEN

Vision Video, a new goth-pop group from Athens, Georgia, brings a masterful blend of gothic rock evocation, punk rock rawness and pop dance accessibility.

Thematically their newest single and upcoming LP explore the effects of trauma on relationships, in finding normalcy in an insane world. Having served in Afghanistan with the army and as a firefighter in the civilian world, lead singer and guitarist Dusty Gannon is no stranger to the darker proclivities of humanity and death itself. “I wanted to write music that helped people remember that it’s okay to not be okay.” says Gannon.

You’ll find flattery without derivation of influences such as , , and , cut from stone with sharper edges inspired by and .

The band features the profound talents of Emily Fredock on keyboard, Dan Geller on Bass (formerly of the Agenda, ) and Jason Fusco on drums (also of ).

Their upcoming debut LP “Inked in Red”, due out Spring of 2021 was recorded and mixed by Tom Ashton of at his Sub Von Studios in Athens, Georgia.

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | TWITTER | LISTEN

Twin Tribes are a darkwave post-punk band from Brownsville, Texas. They formed the band in the summer of 2017 and have released 2 studio albums to date.

Creem Magazine Feature Story – June 2022

John Peel reportedly coined the term “darkwave” during his radio show while describing the sound of Dutch band Clan of Xymox. There is no actual record of this – I asked the band’s frontman Ronny Moorings if he recalled when the term originated, and he didn’t know either. No matter the origin, the term “darkwave” as a description of dark post-punk music—or dare I say “goth” – is more popular than ever. Mexican-American band Twin Tribes is certainly one of the best darkwave bands worldwide right now. Frontman Luis Navarro is said by some to resemble Michael from the South Park but come on guys, don’t be a poser! it’s just the hair.

With their new brand of modern darkwave, Twin Tribes have brought things full circle, even influencing Clan of Xymox’s sound on the band’s past few albums. Their single “Fantasmas” from their second studio album Ceremony went viral, with over a million listens on YouTube, nearly a year before the band was able to film their diabolically macabre haunted house music video for the song. 

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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

FACEBOOK  | TWITTER | LISTEN

The Queers are a punk rock band who’ve been delivering fast, loud, snotty music since the early 1980s, playing the role of beer-sodden teenagers even as they’ve grown into middle age. Their tunes are recognizable for their no-frills pogo punk and purposely puerile lyrics that flaunt bad taste at every turn, sometimes bordering on sexism and homophobia. The Queers first locked down their trademark style with 1993’s Love Songs for the Retarded, they hit peak velocity on 1996’s Don’t Back Down and 2002’s Pleasant Screams, and showed off their influences on 2021’s all-covers set Reverberation.

Formed in 1982, this Portsmouth, New Hampshire group ambled its way through the 1980s, recording a few singles and compilation tracks along the way, most of which were collected on ‘s A Day Late and a Dollar Short. Before recording their first full-length studio album, Grow Up, the Queers finally settled on a permanent lineup consisting of singer/guitarist Joe King/Queer, drummer Hugh O’Neill, and bassist B-Face. Grow Up was released on a small English label called , which promptly went belly up after only 1,000 copies were pressed. frontman got label owner Larry Livermore to sign the Queers, and in 1993 released the -produced Love Songs for the Retarded. Love Songs was followed by a yearly salvo of bubblegum punk, from 1994’s Beat Off to 1996’s magnum opus Don’t Back Down, the best late-’70s-era album never recorded.

After a long bout with brain cancer, O’Neill died on January 21, 1999; Later Days and Better Lays, issued that spring, assembled unreleased Queers material recorded during his tenure with the band. B-Face next left the band, and after signing with , the Queers went through various lineups as King remained the only constant. Released in 2000, Beyond the Valley… marked the first studio album since O’Neill’s death and, somewhat fittingly, was a relatively darker album than the rest of the band’s prior catalog. A string of releases followed in the early 2000s, including the Today EP, Live in West Hollywood, and Pleasant Screams. A split with appeared in 2003, and the classics collection Summer Hits, Vol. 1 was issued the next fall. Recorded live during a two-day stint at Bernie’s Distillery in Columbus, Ohio, the Queers next released the aptly titled album Weekend at Bernie’s in May 2006. The record featured King joined by ‘ Philip Hill on bass and Dave Trevino on drums.

That same year, began reissuing several of the band’s classic albums (remixed and remastered), starting with 1993’s Love Songs for the Retarded. In February 2007, and also via , the Queers released Munki Brain, their first album of new material since 2002, while they commemorated their 25th year of immaturity with the DVD The Queers Are Here, which was chock-full of live footage, interviews, and music videos. The reissues continued into 2007. In 2010, the Queers issued their 11th LP, Back to the Basement. The next year they released a split 7″ with Killtime titled Alive (), followed by 2013’s Ole Maestro, a 38-song live set recorded in Madrid, Spain, in 2009. In 2015, the trio released a limited-edition re-recorded version of Beyond the Valley… entitled Beyond the Valley Revisited. Another split 7″ — The Queers Regret Making a Record with Bassamp and Dano — arrived in 2017. 2021 brought not one but two new albums from the Queers — a typically snotty set of originals, The Queers Save the World, and their first full LP of covers, Reverberation, where they put their stamp on tunes by , , , , , and, of course, the Queers.~ Kembrew McLeod & Mark Deming