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Phenomenon Concerts & The Rialto Theatre Present...

Devin the Dude w/ Marley B, Klassickemcee

Friday, July 15
Show: 8:00pm
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 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

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ABOUT THE ARTIST

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With deep ties to Houston’s influential early-’90s rap scene, Devin the Dude rolled through several generations of hip-hop, cultivating a laid-back style fixated on weed, partying, and his distinctively hazy perspective on everyday life. Producing as well as rapping, he began releasing solo albums in 1998 with The Dude. He quickly became a rapper’s rapper, collaborating with big-name talents from Dr. Dre and Snoop Dogg to De La SoulNasAndre 3000, and many others. Though he never rose to the mainstream success of some of his peers, albums like 2007’s stony yet intricate Waiting to Inhale were hits with critics and a dedicated cult following. He landed in the Top 20 of Billboard’s Top R&B/Hip-Hop Albums chart in 2010 with Suite 420 and Gotta Be Me, and hit number nine on the Top Rap Albums chart with 2013’s One for the Road. Devin the Dude has remained a left-of-center favorite with albums like 2017’s Acoustic Levitation, 2019’s Still Rollin’ Up: Somethin’ to Ride With, and 2021’s Soulful Distance.

Devin the Dude was born Devin Copeland in Pontiac, Michigan, but raised in Florida and Texas. As a child, he went back and forth from New Boston to Houston and finally settled in the latter after he graduated high school. In the late ’80s, Devin met Rob Quest, a blind rapper and producer who was part of a Houston crew called the Coughee Brothaz. Later, the duo formed a group named the Odd Squad and recruited Devin’s longtime friend Jugg Mugg and a local DJ named DJ ScrewScrew (who was later replaced by DJ Styles) took the group’s demo tape to Rap-A-Lot Records CEO James Smith, who quickly signed the group in 1992. Their debut album, Fadanuf fa Erybody!!, was released in 1994 with “I Can’t See It” as the lead single and video.

Although hip-hop fans praised the effort put out by the Odd Squad, their album was not as commercially successful as they hoped. While the group went back to the drawing board, Rap-A-Lot franchise artist Scarface approached Devin to be a part of his new group, FacemobFacemob released one album in 1996, The Other Side of the Law, and then broke up due to internal problems. At this time, Devin decided to work on his debut solo album, The Dude, with the help of Smith and Scarface.

The Dude was released in 1998 with virtually no video and little radio play. It was a smoothed-out, funk-laden album and an ode to wine, women, and weed. Regardless, the album built a large underground following and even caught the attention of veteran hip-hop producer Dr. Dre. He contacted Devin in 1999 and asked him to be a part of the 2001 album on the track “Fuck You.” This single appearance made Devin a hot commodity, earning him appearances on songs with De La SoulRaphael Saadiq, veteran rap group UGK, and a solo track on the Oz soundtrack.

His anticipated sophomore LP, Just Tryin’ ta Live, was released in the summer of 2002 and featured appearances from NasXzibit, and Raphael Saadiq with production from DreDJ Premier, and his Coughee Brothaz. To tha X-Treme arrived two years later and was followed in 2007 by Waiting to Inhale, his first album to crack the Top 40 on Billboard’s album chart. It featured guest appearances from Snoop DoggLil WayneBun B, and more. It would also be Devin’s last record with Rap-A-Lot after a 15-year relationship. He signed on with Razor & Tie for his 2008 album Landing Gear. Suite #420 followed in 2010 and had the honor of being released on the stoner’s holiday of April 20. His seventh LP, Gotta Be Me, arrived later that year.

In 2013, Devin issued One for the Road (eOne). His eighth full-length entered the Top 50 of the Billboard R&B/hip-hop chart. In 2017, he returned with the collaborative single “Smoke with Me,” with rapper Crim Dela Crim. He also issued the Acoustic Levitation album, which was accompanied by a tour of the same name. In 2019, he returned with his ninth studio LP, Still Rollin’ Up: Somethin’ to Ride With. The full-length Soulful Distance arrived in February 2021. ~ Quibian “Q” Salazar-Moreno, Rovi

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Clear Bag Policy

Rialto Theatre & 191 Toole Switch to a clear bag policy as of 3/1/22 – February 2022

To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole will be instituting a clear bag policy on March 1st, 2022.

The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry:

  • Bags that are clear plastic or vinyl and do not exceed 12” x 6” x 12”
  • One-gallon clear plastic freezer bags (Ziploc bag or similar)
  • Small clutch bags, approximately 5” x 7”

*All bags subject to search.
**Clear bags are available for sale at the box office.

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Para ofrecer un entorno más seguro a los invitados y agilizar la entrada a nuestros edificios, el Rialto Theatre & 191 Toole comenzará a aplicar una norma sobre bolsas transparentes el 1 de marzo de 2022.

La norma limita el tamaño y el tipo de bolsas que pueden introducirse en nuestros edificios. La siguiente es una lista de bolsas que serán aceptadas para la entrada:

  • Bolsas de plástico transparente o de vinilo que no superen las 12″ x 6″ x 12″.
  • Bolsas de plástico transparente para congelar de un galón (bolsa Ziploc o similar)
  • Bolsas pequeñas tipo clutch, de aproximadamente 5″ x 7″.

*Todas las bolsas están sujetas a registro.
**Las bolsas transparentes están a la venta en la taquilla.