Please ensure Javascript is enabled for purposes of website accessibility
GoTucson & The Rialto Theatre Present

Jenny Don’t & The Spurs w/ Brea Burns and the Boleros

Wednesday, February 8
Show: 8:00pm
Buy Tickets

Doors 7PM | Show 8PM | 21 & Over | Public On Sale 12/2 10AM

________

 To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziplok bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

________

ABOUT THE ARTIST

WEBSITE | FACEBOOK  | INSTAGRAM | LISTEN

Since their inception in 2012, the Spurs have kept a relentless schedule of recording, playing locally, and touring. After nearly 500 live appearances in almost a dozen countries, and with a slew of albums and singles to their name, Jenny Don’t and The Spurs are just getting warmed up.

The Spurs were founded one cold, winter’s evening by Jenny and Kelly. Jenny had been fronting her own band, DON’T, for some time, as well as playing the occasional solo acoustic set here and there. Kelly, who had been in a slew of Portland punk bands since the 80’s, and who had spent the previous several years balancing a grueling touring schedule playing drums with the garage rock trio PIERCED ARROWS and bass with Portland punk-rock destroyers P.R.O.B.L.E.M.S., and wanted to switch gears a bit. After the concept of forming a raw, real, and back-to-the-roots country band had taken hold, it wasn’t long before the couple was rehearsing a seminal set of standards by such influential early country crooners and outlaws like Patsy Cline, Loretta Lynn, Ernest Tubb, and Hank Sr., as well as a sprinkling of originals. It was only a few weeks later that Kelly’s bandmates Fred and Toody Cole got wind of the developing musical project that was taking form in Jenny and Kelly’s kitchen and decided to call their bluff by giving them an unsolicited support slot on an upcoming show featuring the Cole’s own solo two-piece act. Not having anticipated such a high-profile live appearance as a first live outing, and feeling like the guitar-and-bass-only lineup that the band had started life as was lacking something on the rhythm end of things, they decided to ask their friend Sam Henry to join them on drums. Sam, who in addition to being Jenny’s bandmate in DON’T and sometimes solo-set-collaborator, had already had a long, well-respected career as one of Portland’s best drummers, having played with such first-generation punk bands as the Wipers, The Rats and Napalm Beach. After a couple of weeks of practice, the debut live appearance of the band went off without a hitch and the core lineup of Jenny Don’t and The Spurs was born. The trio of Jenny, Kelly, and Sam existed in this form for the first year-an-a-half or so of the band’s existence, playing whatever local venue would take them – bars, clubs, porches, basements, backyards, and even a bookstore. This worked well for a while, and occasionally the Spurs would enlist talent from a pool of several friends to sit in on lead guitar or lap steel. The addition of a second guitar rounded out the sound of the band to the point where Jenny and Co. decided to make it a permanent part of the band’s lineup. After a couple of false starts and a bit of difficulty finding a fourth member who could commit to the Spur’s sometimes grueling touring schedule, the incredible Christopher March became a member of the family in early 2017. Christopher brought with him a wealth of talent and live gig experience, having spent years playing on the Northwest Country, Rockabilly, and Honky-Tonk circuit.

This lineup – Jenny, Kelly, Christopher, and Sam – formed the core of the group for several great years, solidifying the band’s sound and enabling them to tour extensively until January of 2022.  It was at this point, while on their winter West coast tour in California, that Sam began experiencing abdominal pains.  His discomfort increased to the point where the band had to cancel the last date of the tour in order to get Sam to the hospital, where he was diagnosed with late-stage cancer.  This was devastating news for Sam, the band, and all of the people around the world that loved him, and when, only weeks later, Sam passed away after a brief battle with the disease, everyone was stunned. As saddened and lost as the remaining members of the band were, there was really no question as to whether the band would continue.  Sam was truly dedicated to his art until the very end, and there was no way that he would have wanted the band to dissolve.  He had dedicated his life to his music and the last ten years of his life to Jenny Don’t and The Spurs, and the surviving members of the band decided without reservation to keep Sam’s legacy alive by continuing to play.  The search for a new drummer turned up a lot of candidates, but it was veteran Portland musician Dean Miles who made the cut.  We’re happy to have him as the newest family member, and we know that Sam would be proud to know that a guy as cool as Dean is sitting behind the kit.

Now, with a revamped lineup, as well as a decade of live appearances under their tooled-leather Western belts, the Spurs aren’t slowing down a bit. The Spurs are a musical force to be reckoned with, and the intensity and energy of their live set is a must-see for anyone who enjoys spirited garage-infused country music played with sincerity and raw conviction.

Back to Top
Clear Bag Policy

Rialto Theatre & 191 Toole Switch to a clear bag policy as of 3/1/22 – February 2022

To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole will be instituting a clear bag policy on March 1st, 2022.

The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry:

  • Bags that are clear plastic or vinyl and do not exceed 12” x 6” x 12”
  • One-gallon clear plastic freezer bags (Ziploc bag or similar)
  • Small clutch bags, approximately 5” x 7”

*All bags subject to search.
**Clear bags are available for sale at the box office.

________________________________________

Para ofrecer un entorno más seguro a los invitados y agilizar la entrada a nuestros edificios, el Rialto Theatre & 191 Toole comenzará a aplicar una norma sobre bolsas transparentes el 1 de marzo de 2022.

La norma limita el tamaño y el tipo de bolsas que pueden introducirse en nuestros edificios. La siguiente es una lista de bolsas que serán aceptadas para la entrada:

  • Bolsas de plástico transparente o de vinilo que no superen las 12″ x 6″ x 12″.
  • Bolsas de plástico transparente para congelar de un galón (bolsa Ziploc o similar)
  • Bolsas pequeñas tipo clutch, de aproximadamente 5″ x 7″.

*Todas las bolsas están sujetas a registro.
**Las bolsas transparentes están a la venta en la taquilla.