Doors 7PM | Show 8PM | GA Standing – May Have Festival Seating | 21 & Over – ID REQUIRED | Public On Sale – 9/6
With his hard, edgy tone, rough and rowdy vocals, and barroom boogie aesthetic, Canadian singer, guitarist, and keyboardist Pat Travers is a fine example of a Canadian bluesy hard rock act. He arrived during the ’70s heyday of hard blues-rocking guitar heroes. His eight-album run for Polydor — from his eponymous 1976 debut through 1984’s Hot Shot — netted seven Top 200 chart placements and two Top 40 singles, including the party anthem classic “Boom Boom (Out Go the Lights).” Subsequently, he placed four singles in the Hot 100, and two more in the upper rungs of the Mainstream Rock Songs charts. Travers is equally adept at playing funk, jazz, and prog. He has toured almost annually for more than 40 years, playing more than 150 dates per year. Travers continued to record for a variety of labels in the 21st century. Better-known dates include 2003’s P.T. Power Trio, 2005’s Bazooka (with drummer Carmine Appice), 2015’s Retro Rocket, 2016’s The Balls Album (also with Appice), 2019’s jump-jazz album Swing, and 2022’s The Art of Time Travel.
Born in Toronto on April 12, 1954, Travers first picked up the guitar after witnessing a local performance by the great Jimi Hendrix. It wasn’t long before Travers was studying the other top rock guitarists of the day (Eric Clapton, Jeff Beck, Jimmy Page, etc.), and paying his dues by playing in bar bands in Quebec. His first true touring gig came his way when he hooked up with ’50s rock & roll vet Ronnie Hawkins (best known for performing with a backing cast that would eventually transform into the Band).
But Travers’ main love was hard rock, so after a year, he packed up his belongings and headed to London. Shortly after touchdown in the U.K., Travers recorded a demo that would land him a recording deal with Polydor and result in the release of his debut, Pat Travers, during the spring of 1976. A performance at England’s annual Reading Festival the same year only piqued further interest, which resulted in two more releases in 1977, Makin’ Magic and Putting It Straight (both of which followed a pre-Iron Maiden Nicko McBrain on drums), before Travers returned to North America and set his sights on the U.S. rock market.
Featuring drummer Tommy Aldridge, guitarist Pat Thrall, and bassist Mars Cowling, the new Travers band lineup premiered on 1979’s Heat in the Street. This led to Travers’ most commercially successful period, resulting in a pair of Top 30 releases, 1979’s Live! Go for What You Know (considered by many Travers fans to be his finest hour) and 1980’s Crash and Burn. But soon after the dawn of the ’80s, bluesy hard rock seemed to quickly fall out of favor among the U.S. record-buying public in favor of slickly produced arena rock, and later, MTV-approved bands.
As a result, each subsequent Travers release sold less — his last albums to appear on the U.S. album charts included 1981’s Radio Active, 1982’s Black Pearl, and 1984’s Hot Shot. Unhappy with Polydor, Travers opted to take a break from releasing records for the remainder of the decade, but continued to tour. Travers’ 1990 comeback album, School of Hard Knocks, failed to re-spark interest on the charts, although he continued to issue new studio albums (Blues Tracks, Just a Touch, Blues Magnet, etc.) and archival live sets (King Biscuit Flower Hour, BBC Radio One Live in Concert) throughout the decade.
Travers continues to tour and record regularly (playing alongside the likes of Night Ranger‘s Jeff Watson, Cinderella‘s Tom Keifer, and Rick Derringer), and in 2001, performed as part of the Voices of Classic Rock tour. Travers emerged from the recording studio once more in 2003, with P.T. Power Trio, a recording that featured covers of songs by the likes of Cream (“White Room”), Robin Trower (“Day of the Eagle”), and ZZ Top (“Nasty Dogs and Funky Kings”), among others. Subsequent releases include 2004’s It Takes a Lot of Balls, a collaboration with Carmine Appice, PT=MC2 (2005), a second Power Trio outing called P.T. Power Trio 2 (2006), Travelin’ Blues (2009), Blues on Fire (2012), Can Do (2013), and Retro Rocket (2015). In 2016, Travers reunited with Appice for the cheekily titled Balls Album, which saw the dynamic duo tearing through a set of classic blues-rock numbers. In 2019, Travers went well outside his musical persona by issuing Swing!, a collection of thoroughly reimagined big-band jazz classics from the ’40s and ’50s including Duke Ellington‘s “Take the ‘A’ Train,” Louis Prima‘s “Sing Sing Sing!,” Glenn Miller‘s “In the Mood,” Louis Jordan‘s “Is You Is or Is You Ain’t My Baby,” and “Let the Good Times Roll.”
In 2022, Travers issued The Art of Time Travel, a return to hard blues-rock. The anthemic, raucous title song appeared as a pre-release single. Second track “Ronnie” was penned in tribute to the late guitarist — and Travers’ mentoring influence — Ronnie Montrose. The album included the horn-drenched R&B single “Push Yourself” and “Natalie,” a tender instrumental.
To provide a safer environment for the public and significantly expedite fan entry into our venues, Rialto Theatre & 191 Toole have instituted a clear bag policy as of March 1st, 2022. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.